"Cash treats the song (which I'm only vaguely familiar with in its NINcarnation as a moaning anti-drug plaint about waste) as a kind of dirgelike meditation on the last, dying embers of life; the video shows archival footage of the Man In Black contrasted with the Dying King of today, surrounded by the wrack of the flood-ravaged (although the video brilliantly implies tragic, Ozymandian neglect) Cash Museum in Nashville."