"If we bring back the material painted object into the picture, of course, then there is no such difficulty: ones ˜intuition™ will be accurate, or one's interpretation will be correct, just in case it corresponds to the picture (of course the notion of ˜corresponds to the picture™ is only a placeholder for a great deal to be supplied by theories of representation, perspective, expression and other parts of aesthetics; but the one thing that plausible theories will share is a commitment to the object, the material painting)."