"Thus, the external, extrinsic sociological fact or system of realities finds itself inscribed within the internal instrinsic experience of the film in what Sartre in a suggestive and too-little known concept in his Psychology of Imagination calls the analogon: 5 that structural nexus in our reading or view - ing experience, in our operations of decoding or aesthetic reception, which can then do double duty and stand as the substitute and the representative within the aesthetic object of a phenomenon on the outside which cannot in the very nature of things be"